Although museums have long housed clothing in “costume institutes” removed from their painting and sculpture galleries, a series of exhibitions and events is collapsing the distance between fashion and art this spring.
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Since its start in 2009, Independent has been called the art world’s favorite art fair, and this year, there will be a lot more to like as it expands with a pair of major moves. This month, Independent’s contemporary art fair will migrate from its Tribeca digs to the much larger Pier 36 on the Lower East Side.
The art world is full of wonderful things to discover, but it can also be hard to keep up. New exhibitions open, artists gain attention, auctions make headlines, museums announce major shows, and important stories can easily get lost in the noise. Art & Object’s weekly newsletter helps make sense of it all.
Attention to detail, subtle shifts of perspective, angles of surface, and objects overlapping or jutted up against one another; Giorgio Morandi’s sheer inventiveness with ordinary objects is distinctive.
The allegorical manifestation of "the four continents" is a visual staple of Western art from the colonial period and the 18th century in particular. Used to uphold the idea of European superiority and justify colonialism itself, the iconography associated with each continent is deeply rooted in racism.
A quiet ceremony at the Canadian Conservation Institute in Ottawa marked a turning point in international cultural property law in recent weeks.
Nestled in the sagebrush-dusted mountains of northern New Mexico, more than 5,000 feet above sea level, is a small, quaint city constructed mainly of adobe and dating back to 1607 that just happens to be one of the world’s biggest and most vibrant art centers. Italy has a term for its urban cultural treasures—città d’arte, or art city.
The 82nd edition of the Whitney Biennial opened to the public on March 8, 2026. Curated by Marcela Guerrero and Drew Sawyer, Sawyer comes to the Whitney after several years at the Brooklyn Museum, and Guerrero took on her role in 2022—the first Latina to co-curate the Biennial. With press and VIP previews starting as early as March 3, the arts media was flooded with wildly varied opinions on this iteration, most leaning towards the negative.
Returning for its 22nd edition, SP-Arte 2026 featured 180 exhibitors including national and international art galleries and design studios, museums, independent spaces, and publishers spread across three floors of the iconic Bienal Pavilion, designed by Oscar Niemeyer, in São Paulo’s Ibirapuera Park, from April 8 to 12, 2026.
From the moment Pablo Picasso finished painting Guernica in 1937 for the World’s Fair as a response to the German and Italian bombing of Gernika, the over-25-foot canvas has functioned as both an artwork and an argument.
